With those kinds of music, there is an actual connection to people. Both are very participatory and interactive. Turnstile started in hardcore, and you’ve spoken about the influence of go-go, the funk style native to the Washington, Maryland and Virginia area. It was the beginning of seeing what kind of doors something really small can open. How did that impact you as a person? It gave me a little sense of worth, and opened my eyes to realizing that I didn’t have to be the most talented or be anything but myself in order to contribute. But that band led to figuring out how to play a show at a community center by our house, which was the beginning of feeling like I was a part of something. It was a vessel to figure stuff out, which I’m still doing. We were all learning our instruments as we went. There was no goal other than to try our best. What was your earliest experience of feeling a sense of community around music? As kids, we got a group of friends together to start a band - including Brady, who plays in Turnstile - and we would practice every single day after school, no matter what. I asked Turnstile’s vocalist, Brendan Yates, about that component of the band’s ethos, best summarized in one song title: “T.L.C. Those new fans find eclectic grooves, rushing hooks and - maybe most notable - a feeling of community so potent as to be dizzying amid the isolation of the pandemic. With the August release of their third album, “Glow On,” they became a cross-genre phenomenon, not emerging from hardcore so much as opening a door to fans outside it. Formed in 2010, the Baltimore band Turnstile has long been beloved by hardcore punk enthusiasts.
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